Due to my need to create at a time when my environment was not at its best, I began to take photography replacing clothes with pieces by Venezuelan plastic artists. Which led me to delve into the worlds of different exponents and study their work based on their possible utilitarian relationship with the body.

 

What I work on is the most literal communication between plastic art and fashion, resulting in an aesthetic harmony that further demonstrates the influence that these two arts have on each other, and in both Venezuela and other Latin American countries, the clothing industry is conditioned by national artistic and cultural references.

 

The repertoire of images works with paper, metal, plastic, textile, clay, bone, paint, among other materials with which the exponents develop their pieces.

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Prior to each collaboration there is a study about the artist and his work, a deep approach to his world and his way of working, a process that directs the direction of the publishing house and conditions the result. From what I can say that each encounter represents the artist under my vision.